Publications
Li, K., Ma, R., & Fang, Z. (2024). Explicit or implicit digital humanities? An examination of search strategies to retrieve digital humanities publications from large-scale scholarly databases. Quantitative Science Studies 5 (3). https://doi.org/10.1162/qss_a_00321
Abstract: As a growing research field, digital humanities (DH) is receiving increasing attention from quantitative science studies using standardized scholarly databases. However, one of the challenges of this new line of research is how to select the query strategy to produce a representative sample of the field. In this research, we analyzed the differences between two publication samples acquired from the Dimensions database using two sampling approaches, namely, a keyword search and a DH journal list. We argue that these two samples offer distinct perspectives on the conceptual landscape of digital humanities, namely, implicit DH and explicit DH, and contribute to building a more comprehensive representation of the DH research domain. We identified notable differences between the publication samples from these two query strategies, especially the fact that these two samples have a very small overlap of publications, and they also have different disciplinary orientations. Our findings indicate that future quantitative studies analyzing DH publications should use more inclusive methods to cover both the implicit and explicit types of DH contributions. Moreover, we also discussed how our findings contribute to a deeper understanding of the disciplinary composition of DH, an interdisciplinary research field.
2. Ma, R. (2022). Curating China's Cultural Revolution (1966-1976): CR/10 as a Warburgian memory atlas and digital humanities interface. Information & Culture 57 (1). https://muse.jhu.edu/article/846721
Abstract: CR/10 is a digital oral history platform that aims to collect and preserve cultural memories of China’s Cultural Revolution (1966–76). With a rhetorical analysis of the design features and curation processes of the CR/10 website, this article discusses the functions of CR/10 as a Warburgian memory atlas that shape the nonlinear, multifaceted narratives of a historical incident. Alongside this rhetorical analysis, I also conducted three sets of user experience studies with over thirty participants both within and outside the academy, including an ethnographic conference observation, a virtual ethnography of an online book group, and several semi-structured interviews, to examine CR/10’s usability and propose new design opportunities to empower the interface. This article offers a strong case for the datafication of cultural memories and contributes to digital archives and humanities interface design with an innovative theoretical lens.
3. Ma, R., & Li, K. (2021). Visuality in a cross-disciplinary battleground: Analysis of inscriptions in digital humanities journal publications. Journal of the Association for Information Science and Technology 73 (2). http://dx.doi.org/10.1002/asi.24534
Abstract: Inscriptions are defined as traces of scientific research production that are embodied in material artifacts and media, which encompass a wide variety of non-verbal forms such as graphs, diagrams, and tables. Inscription serves as a fundamental rhetorical device in research outputs and practices. As many inscriptions are deeply rooted in a scientific research paradigm, they can be used to evaluate the level of scientificity of a scientific field. This is specifically helpful to understand the relationships between research traditions in digital humanities (DH), a highly cross-disciplinary between various humanities and scientific traditions. This paper presents a quantitative, community-focused examination of how inscriptions are used in English-language research articles in DH journals. We randomly selected 252 articles published between 2011 and 2020 from a representative DH journal list, and manually classified the inscriptions and author domains in these publications. We found that inscriptions have been increasingly used during the past decade, and their uses are more intensive in publications led by STEM authors comparing to other domains. This study offers a timely survey of the disciplinary landscape of DH from the perspective of inscriptions and sheds light on how different research approaches collaborate and combat in the field of DH.
4. Ma, R. (2020). Translational challenges in cross-cultural digitization ethics: The case of Chinese Marriage Documents, 1909-1997. Libri: International Journal of Libraries and Information Studies 70 (4). https://doi.org/10.1515/libri-2020-0088
—Awarded the Best Student Research Paper (2020) and Editor's Choice (2020) at Libri: International Journal of Libraries and Information Studies.

Abstract: Digitization of archival materials has gained global popularity as both practice in cultural heritage institutions and a scholarly topic. However, ethical issues involved in digitization, especially the challenges brought by cross-cultural archival digitization practices, have been only weakly explored. In the domain of Asian Studies librarianship in the United States, digitizing archive materials acquired from Asian countries in academic and research libraries has facilitated Asian Studies research, but also brought up ethical concerns of inappropriately translating the original culture for new audiences. This paper treats digitization as a translational device bridging cultural contexts, public audiences, and personal accounts, as well as openness and privacy. Focusing on the unique open-access digital archival collection The Chinese Marriage Documents (1909–1997) at the University of Pittsburgh as a case study, I examine crucial cross-cultural ethics involved in the digitization process and discuss best practices to digitize and disseminate culturally sensitive archives ethically.
5. Ma, R., & Xiao, F. (2020). Data practices in digital history. International Journal of Digital Curation 15 (1). https://ijdc.net/index.php/ijdc/article/view/597/570

Abstract: This paper presents an exploratory research project that investigates data practices in digital history research. Emerging from the 1950s and ‘60s in the United States, digital history remains a charged topic among historians, requiring a new research paradigm that includes new concepts and methodologies, an intensive degree of interdisciplinary, inter-institutional, and international collaboration, and experimental forms of research sharing, publishing, and evaluation. Using mixed methods of interviews and questionnaire, we identified data challenges in digital history research practices from three perspectives: ontology (e.g., the notion of data in historical research); workflow (e.g., data collection, processing, preservation, presentation and sharing); and challenges. Extending from the results, we also provide a critical discussion of the state-of-art in digital history research, particularly in respect of metadata, data sharing, digital history training, collaboration, as well as the transformation of librarians’ roles in digital history projects. We conclude with provisional recommendations of better data practices for participants in digital history, from the perspective of library and information science.
6. Ma, R., & Li, K. (2020). Telling multifaceted stories with humanities data: Visualizing Book of Hours manuscripts. iConference 2020 Proceedings. http://hdl.handle.net/2142/106561

Abstract: The Book of Hours is a type of book artifact that was produced and circulated in Europe during the Middle Ages and the Renaissance. Its name is from the fact that each book contains a sequence of prayers that were recited hourly throughout the day. This study examines the visualization of a dataset of Books of Hours collection, which was curated and digitized at the University of Pennsylvania Libraries. We performed a data cleaning and manipulation procedure on this manuscript dataset and created information visualization using the R programming language. Aiming to communicate to the wider audience the rich history of Books of Hours with meaningful visualizations, we focused on the temporality, spatiality, and decoration aspects of the resource. This project serves as a point of departure to engage in broader topics at the intersection of information visualization, digital humanities, and manuscript studies, especially how to leverage humanistic interpretations of data into visualization practices.
7. Ma, R., & Zou, N. (2020). Integrating cultural perspectives in the iField: The case of Asian informatics. Association for Library and Information Science Education (ALISE) 2020 Conference Proceedings. http://hdl.handle.net/2142/108817
Abstract: This research study justifies Asian informatics as an emerging area of research in the information field (iField) and demonstrates its potential to facilitate diversity of library and information science (LIS) education in the U.S. by offering a cross-cultural perspective in this increasingly multicultural information age. Providing a critical analysis of the iField doctoral education in the U.S., this paper demonstrates the needs and benefits of integrating Asian informatics as part of the LIS curricula, urging LIS education to raise cultural awareness in information studies.